Updates from Masala Punch

Originally published: 12 Apr 2023; Last updated: 27 Oct 2024

Keeping two blogs running at the same time is not working out for me. To be honest if I could just keep the one up and running, I would be immensely satisfied with myself! Till I figure out how to combine the contents of the two blogs, here is an update of the latest posts on Masala Punch.

Blog revival

Eight years ago, my sister Bollyviewer decided to move from Blogger to Wordpress and start a new blog – Masala Punch. She blogged there intermittently till she passed away in 2021. With more than a hundred of her posts here, this blog still remains a treasure for me. To keep her words alive, I have decided to revive this blog and keep it going along with Masala Punch.

I am moving

For any visitors I still have left: Thanks for visiting during my long and unscheduled hiatus. I got busy at work, then with moving and travelling, and before I knew it, it was more than a year-and-a-half since my last post!

Its time to blog again. But this time, I’ve decided to start afresh, with a new blog. I am tired of Blogger’s poor comments utilities and do not have the energy to deal with disqus and it’s comments-swallowing tendencies. So you can now find me at Masala Punch on Wordpress. Hope to see you there!

Let’s make Pride and Prejudice in Hindi!

It all started when my sister and I were watching Biswajit and Rajshree cavorting in Do Dil (1965). They both played such vanilla-smelling dumb sweet and simple characters, with nary a bright spot between them, that I couldn’t help but compare them to Mr. Bingley and Jane Bennett (if you haven’t read Pride and Prejudice yet, what are you waiting for?). Once Jane and Bingley were cast, it was absolutely essential that we cast the rest of the leads too! Naturally, that meant we had to pause the film while we debated the relative merits and demerits of our choices. Here’s how it went…

 

Sis: But who will be Darcy? Dharamendra is the best romantic leading man in the 60s, but he wouldn’t do arrogance very well. And he was kind of thin in '65.

 

Me (hesitantly): Rajendra Kumar?

 

Sis (dubiously): Yeah. Maybe. Who else? If it were the 50s, Ashok Kumar would be the best. He was so charismatic and such a good actor. But Dadamani was too old for Darcy in the 60s.

Dev Anand: A musical interview (Part 2)

Updated (links): 17 June 2022

Interviewing Dev Saab is not an easy task! Once part 1 of the interview was done, I was certain that part 2 would only take me a couple of hours. I hadn’t, of course, taken into account one thing – every time I tried asking him a question, he’d just belt out one of his intoxicatingly romantic numbers, and I would be umm… distracted.

Sach kehta hun bohut haseen ho – Jaali Note (1960)

It took a herculean effort in exercising my will power to continue our chat on a normal plane. That is why this part has taken so long to come to you…

Dev Anand: A musical interview (Part 1)

Updated (links): 18 June 2022

I was shocked when I read about Dev Anand’s death. He may have been the superstar of my parents’ generation, but he certainly looked like he would outlive me! If I’d ever thought about it, I’d have said that he’d go on making movies forever. Over the years, he’s spent so much time in my living room, bringing so much fun and entertainment with him, that it is impossible not to feel a bit sad that he is no more. I am only "a bit" sad because the Dev Anand I knew is forever young, handsome, and always there in his lovely films. (I refuse to even admit the existence of his post-1960s career!)

Of course, his sad demise reminded me that it was high time I paid him a visit in the 1960s. While I was there, I took the opportunity to quiz him about his great romances with women and wine.

My ten favourite Geeta Dutt songs

Updated (links): 26 Nov 2022

Yaad karoge yaad karoge, ek din humko yaad karoge (you will remember, one day you will remember me). I wonder if Geeta Dutt ever realised how prophetic these words from her first big hit album (Do Bhai, 1947) would prove to be. She’s left such a wealth of lovely songs, sung in that rich, fluid, and incredibly beautiful voice of hers, that it is hard not to remember her, every time you think of songs of yore. She started her playback career at the age of sixteen when she sang two lines in a song for the movie Bhakta Prahlad (1946). Success came just a year later, with Mera sundar sapna beet gaya (Do Bhai, 1947). The rest, as they say, is history. Geeta Dutt was soon one of Hindi film’s leading singers, and ruled the Hindi song-waves through the 40s and 50s. She lent her lovely voice to an incredibly wide range of songs and sang everything from ballads to bhajans, club songs to ghazals, sad songs to frothy, fun numbers…

Gaban (1966)

Have you ever watched a film with an impending sense of doom, heart thumping, waiting to see how the hero makes a bad situation worse? And this when it’s not even a thriller? That pretty much sums up how I felt watching this film! All I knew before was that it was based on Munshi Premchand’s story of the same name, and that it starred my favourite onscreen couple (Sunil Dutt and Sadhana). The film’s title meant that there was to be an embezzlement (gaban = embezzlement), and knowing that it was based on Premchand’s writing made me suspect the worst. As it turns out, it is a lovely film. But if I’d known just how bad things were going to get, I could’ve stopped expecting the worst and relaxed enough to enjoy the film! So for those of you who prefer to be forewarned, here goes…

Of monsoons and things filmi…

Have you been wondering whether this blog can be listed as abandoned property? Wonder no more. OiG is still very much alive and well. I’ve just been busy trying to move clouds and have had no time for film-watching or blog visits.

 

It’s a tie

I haven’t been in much of a film-watching mood, what with all the TV series I needed to catch up on. But today, watching Maha Badmash, one thing caught my interest and made me want to watch more films, if only for academic research. No, it was NOT Vinod Khanna’s famous swimming trunks (and the figure that went with it). It was his stupendous bow tie that intrigued me. Clearly, for a Bollywood hero, a tie is not just a tie but a statement of machismo and size does seem to matter in these things! Here, take a look at it. Can you honestly say that this piece of cloth would not draw your attention?

Man’s Favorite Sport? (1964) – fishing fun!

What happens if a leading expert on sport fishing turns out to be someone who’s never been fishing in his life, never even touched a real live fish? If he were a scientist, you’d call him a theoretician. In everyday life, you’d call him a fraud! Sounds fishy? You bet it does. It’s all the fish, you know…

Every Girl Should Be Married (1948)

Just when I thought I’d seen every fun Cary Grant comedy there was to see, I came across this. The title is not very promising, but for Cary Grant, I was willing to brave it. Though the film does somewhat live up to the sexist promise of it’s title, it is a novel tale and a pretty fun ride!

The haunting: my 10 favourite ghost songs

Updated (links): 26 Nov 2022

There is nothing like a good ghost song to brighten up a warm and sunny day (or a cold and sunny day, as it often is in Calgary). What would you like - a real live ghost? A funny pretend ghost? A real person mistaken for a ghost? Would you like him/her to be evil or benign? No matter what your choice, Bollywood can supply a ghost for every mood. I personally prefer pretend ghosts - of the benign kind - but I am not so picky when it comes to ghostly melodies. Ghosts, it turns out, know their melodies and how to haunt hauntingly. They’ve sung some of my favourite filmi songs. So without further ado, here are ten of my favourite filmi ghosts singing their haunting melodies (or "hunting melodies" as one of my audio cassettes called them!):

Phas Gaye Re Obama (2010): screwball satire!

Movies like this make me seriously question the name of this blog! True, older films had so much going for them, but some of the new Hindi comedies make me wonder whether newer ones aren’t even better. This one is almost as good as my other new favourite Tere Bin Laden. It has all the hall marks of a well made screwball comedy but it is also a brilliant satire. From global recession to American business ethics, and Indian politics and it’s murky back waters – Subhash Kapoor spares no one!

Nashe main hum – my favourite drink buddies

The holiday season is upon us - the season of goodwill, the season of Christmas parties, and the season of sub-arctic weather here in Canada. Time for the daaru to begin flowing freely. Naturally, being a good Bhartiya naari, I never touch daaru, but in the right company, I don’t mind drinking it! And the right company can only be other good Bhartiya naaris like me. In other words, they must be good girls because I think that wicked women are just too blasé about everything to enjoy their vices like a good girl can. Considering how many great Bhartiya Naaris Bollywood churns out every year, Hindi films are the best place to find good girls for a pub crawl. But will the good girls agree to imbibe alcohol? Amazingly enough, I found TEN potential drink buddies…

Juari (1968): love, lies and gambles

In the late 80s, Thursday afternoons used to be red letter-days at home. Back then, DoorDarshan (Indian TV) had begun to telecast unknown old B/W films on Thursday afternoons, in addition to their regular Saturday and Sunday evening film telecasts. The Thursday ones were much better because we could always expect the unexpected – famous actors in unusually fun films with great songs. That’s when I first discovered that Ajit and Prem Nath had once been handsome leading men, that Dara Singh had played hero to Mumtaz and that even Mehmood wasn’t too jarring in his earlier lead roles! And best of all, there were a slew of Shashi Kapoor films. Back then, I remember loving this one to bits. I no longer love it so unconditionally, but I can forgive it’s flaws for the nostalgia it invokes!

Kala Bazar (1960) - white-hearted people in a black market...

This is a film that I see once every few years. In between watches, I do remember that it’s a great film and I love it, but on re-watch, I’m always surprised at how good it actually is! It has so much goodness going on (Dev+Waheeda = yummy!) that I tend to forget some of it’s not-to-be-missed scenes – like the premiere of Mother India and how relevant it is to the plot.

Mini reviews – 2010 edition

Between my new job and my new car, I’ve not had the time or the energy to update the blog very often. But today, chatting with Beth and Amrita about films reminded me of my priorities. Life is too short to watch movies and not write about them. And since I don’t want to waste time deciding which of my recent watches I should write about, I’m going to write about as many as I can squeeze into one post! So here goes…

Do Dooni Char (2010)

The first thing I knew about this film was that it would bring Neetu Singh back to the screen after a quarter of a century. (No, a mute guest appearance does not count!) I was really excited at the prospect. And when I read some more about it in the blogosphere, I realised that I had more reasons to look forward to it than just Neetu Singh’s "return". The film promised a heart warming story and great performances. After watching it, I must say that it delivers on it promise, and then some!

Mahal (1949) – mystery, madness and melodrama

I’ve always maintained that if you wish to see the maximum number of deranged characters in one film, you need to look up Wuthering Heights. But after watching this film, I can assert positively that you don’t need to go so far back in time, or so far from the Indian shores either, to find your fill of dangerously unstable people! I’d seen this film long ago and my dim distant memories warned me that it isn’t a film I liked a lot. But it’s hard to resist the combined appeal of Dada Mani, Madhubala and the lovely music. So I re-watched - with mixed results.

Utsav (1984) – festive entertainment!

I usually shy away from writing about films that I like a LOT because I find myself gushing about everything I liked in them! This is one such film. I like everything about it - the story, the acting, the costumes, the sets, the actors, everything! But it’s Rekhatober, and I was determined to write about at least one film that was a worthy showcase of her talents. This film not only showcases her skilful performance, it’s a very satisfying film on the entertainment and aesthetic counts as well. (I warned you... I WILL gush!)