Gaban (1966)

Have you ever watched a film with an impending sense of doom, heart thumping, waiting to see how the hero makes a bad situation worse? And this when it’s not even a thriller? That pretty much sums up how I felt watching this film! All I knew before was that it was based on Munshi Premchand’s story of the same name, and that it starred my favourite onscreen couple (Sunil Dutt and Sadhana). The film’s title meant that there was to be an embezzlement (gaban = embezzlement), and knowing that it was based on Premchand’s writing made me suspect the worst. As it turns out, it is a lovely film. But if I’d known just how bad things were going to get, I could’ve stopped expecting the worst and relaxed enough to enjoy the film! So for those of you who prefer to be forewarned, here goes…

Railway Platform (1955)

Once upon a time, long ago, when there was only one TV channel (DoorDarshan - DD) in India, we used to get one Hindi film per week. If we were very very good (that is, if we lived in areas where Hindi was the local language), we got two films per week. As that was a major portion of our weekly entertainment ration, we’d anxiously scan DD’s programs for hints of what was in store for us at movie-time, and eagerly check the newspaper for information. Any hint that DD was about to bestow an old B/W Sunil Dutt-starrer on us, was always taken as a sign of the DD Gods’ pleasure, and awaited with eager anticipation. Its in those days that I watched this film, and I remember liking it a lot. Twenty years on, I must say that I am glad there are some movies I can watch without blushing for my kiddie-self’s taste!

Poll: Abhi to main jawaan hoon – choose Bollywood’s “Evergreen” Actor #1

With most of North America embroiled in election fever (Canada had a general election last week and the US presidential poll isnt far off), its time for democracy to make its appearance on Old is Gold. Today readers, we are going to select the “Evergreen” Baadshah of Bollywood!

 

We’re all familiar with the phenomenon of popular stars who continue to act “boyish” inspite of expanding midriffs, receding hairlines and increasing age. Mallika Pukhraj’s famous ghazal Abhi to main jawaan hoon (I am still young) is their motto and they’re sticking with it! Strangely, this phenomenon is confined to male stars and in over 100 years of Indian Cinema, its never spread to the feminine half of the industry! Actors from every decade of Indian cinema have been guilty of refusing to grow old (in their cinematic age) but the late 80s and early 90s are special in that they are overflowing with examples of stubbornly “youthful” superstars!

 

To help you decide who you’d like to crown the Peter Pan of Bollywood, I’ve made a list of the contenders:

Ganga Aur Suraj (1980)

Beth's poll on the path to awful movies reminded me of some of the bad movies I have seen because of who’s starred in it. There are several of those - most of them starring Shashi Kapoor! This one is by no means the worst of them (Atithee takes the prize for that), but it comes close!

Here's the plot dynamics. Inspector Shekhar (Iftekhar) is an honest and upright officer of the Indian police force. Shekhar will sacrifice anything to catch the dreaded dacoit Vikram Singh (Kader Khan). Vikram has but one weakness – his young daughter - while Shekhar has neither daughter nor weakness. He does have a wife and two sons, though.

Ek Phool Char Kaante (1960)

This is a B&W comedy that I remember watching on Doordarshan in the good old days. When I stumbled across the DVD in the Indian video store, I was eager to find out whether the movie stood the test of time - so many of my childhood favorites have turned out to be awfully kiddish or silly! Well, the good news is that I still liked it.

Sanjeev (Sunil Dutt) is your average movie hero who is on the lookout for his heroine. The moment he sees her in a group of picnicking girls, he recognises his nemesis in Sushma (Waheeda Rehman). The two engage in some preliminary sparring followed by loving duets. When their love is revealed to Sanjeev's parents (Bir Sakuja and Mumtaz Begum) they are delighted with Sushma - not your conservative movie-parents, obviously. Sanjeev's father even engages to talk to her family about it. That's where the couple's trials begin. Sushma is an orphan brought up by 4 eccentric bachelor uncles (the 4 thorns - char kaante - of the title). Each of them has his own ideas about a suitable boy for Sushma.