Parvarish (1958) – upliftment of fallen MEN!

Anyone who’s seen enough old Bollywood films knows about fallen women – the nightclub dancer, the tawaif, the gangster’s moll, etc. The deserving among these debased women usually get a leg up into higher strata of society where they get the privilege of wearing vermilion in their hair partings and no longer have to wear the dreaded ghungroo. There seem to be several of these fallen and subsequently uplifted women in Bollywood. But seldom does one come across a similar upliftment of fallen men. Thats what makes this movie so unique – it takes two men out of the kotha (filmi brothel) and makes them respectable!

Poll: Abhi to main jawaan hoon – choose Bollywood’s “Evergreen” Actor #1

With most of North America embroiled in election fever (Canada had a general election last week and the US presidential poll isnt far off), its time for democracy to make its appearance on Old is Gold. Today readers, we are going to select the “Evergreen” Baadshah of Bollywood!

 

We’re all familiar with the phenomenon of popular stars who continue to act “boyish” inspite of expanding midriffs, receding hairlines and increasing age. Mallika Pukhraj’s famous ghazal Abhi to main jawaan hoon (I am still young) is their motto and they’re sticking with it! Strangely, this phenomenon is confined to male stars and in over 100 years of Indian Cinema, its never spread to the feminine half of the industry! Actors from every decade of Indian cinema have been guilty of refusing to grow old (in their cinematic age) but the late 80s and early 90s are special in that they are overflowing with examples of stubbornly “youthful” superstars!

 

To help you decide who you’d like to crown the Peter Pan of Bollywood, I’ve made a list of the contenders:

Do Ustad (1959) – was Manmohan Desai making films in 50s?

Hindi movie enthusiasts will be overjoyed to know of the discovery of a previously unknown masala multi-starrer gem by the 70s spice-king Manmohan Desai. Advanced scientific dating techniques tell us that the movie was made in 1959 - proof positive that the maestro was active long before previously supposed.

OK all that isnt true. This is NOT a Desai film though he was making films in the late 50s. It has all the required masala ingredients (check out Beth's and Memsaab’s lists to find out what those are) and then some. All the hallmarks of a Desai film, in fact. I was only convinced of the non-Desai-ness of the film on reading the director (Tara Harish) and producer's name (Sheikh Muktar) in the credit list!

Guess-time #2

In a career spanning several decades, these Bollywood icons rarely ever shared screen-space. In fact, this is the only instance that I know of where Ashok Kumar and Raj Kapoor appeared in the same movie. Its also the only movie where Raj Kapoor played a negative character and came close to murdering the heroine! What movie is it?