Utsav (1984) – festive entertainment!

I usually shy away from writing about films that I like a LOT because I find myself gushing about everything I liked in them! This is one such film. I like everything about it - the story, the acting, the costumes, the sets, the actors, everything! But it’s Rekhatober, and I was determined to write about at least one film that was a worthy showcase of her talents. This film not only showcases her skilful performance, it’s a very satisfying film on the entertainment and aesthetic counts as well. (I warned you... I WILL gush!)

Sense and Sensuality: advice from THE Diva (part I)

Readers we have such a treat for you during Rekhatober! The reclusive star has graciously agreed to do a question and answer column during this month-long blog-wide celebration of her awesomeness. You may not know, but Rekha-ji has been instrumental in guiding several of her younger colleagues and has often given great advice to her co-stars. Here are some examples (check out Beth Loves Bollywood for part II):

Neeyat (1980) - more Shashi-masala

Three friends who are closer than brothers and sing it out, for the world to know. All three in love with the same girl. Doesnt it ring alarm bells? You expect a lot of sacrifice and the poor girl getting the short end of the stick. Well, this is where Neeyat scores. The friends dont sacrifice for each other – at least not in a Damon-and-Pythias way – and friendship, though upheld as a most virtuous state, just barely survives various trials and tribulations. For the rest, its a fun masala-thriller with all the recommended masala ingredients: friendship/bromance, good songs, cute romance, misunderstandings, sacrifices, nasty villains and best of all, some interesting murders and a very fast paced story.

Fairy Godmother came calling (partII): My favorite brawny, brainy, beauties of Bollywood

Having decided on my most-coveted physical characteristics, its now time to decide what I’d like to be in terms of brains and brawn. So here’s the second part of my wish list.

The courage of Madhuri in Mrityudand and Smita in Mirch Masala.

For sheer guts, its a toss-up between Phoolva in Mrityudand and Sonbai in Mirch Masala. They were both willing to go up against patriarchal diktats and bullies to fight for their rights. I wish for their courage and their belief in the rightness of their cause.

The single-mindedness of Kiron Kher in Sardari Begum.

Sardari knows what she wants (to sing) and pursues her goals with single-minded zeal. I would be content with a fraction of her goal-oriented focus!

Ijaazat (1987) – to like or not to like?

Gulzar wrote and directed this tale of a man (Naseeruddin Shah) torn between his feelings for two women (Rekha and Anuradha Patel). Every review I’ve read and every acquaintance of mine who’s seen it, has lavished praises on it. Still I resisted watching it, because I am prejudiced against love triangles where women come out the losers. Then I saw an interview of Naseer’s where he talked about how happy he was with his performance in this movie. So I decided to give it a try. And I am glad I did. Its a lovely movie inspite of some rather grave flaws! But thats Gulzar’s fault – he can turn the most unappealing stories into lovely and curiously touching movies (Basera is a good example)!

Kali Ghata (1980) – Masala-Thriller

A murder mystery + a couple of good songs + Shashi Kapoor + Rekha x2 = great fun! I can wax eloquent about all the pretty in the movie or rant about the Shemaroo people who take to scissors a lot more efficiently than the Indian Censor Board, but will desist and tell you about the movie instead!

The opening sequence - a cold-blooded murder – sets the tone for the rest of the film. A man is shot dead in a hotel room by an unseen assailant. We learn later that he is Seth Satpal Singh, whose look-alike daughters Rekha (Rekha) and Rashmi (also Rekha) are also in deadly danger.