Khanna-o-Rama: Khanna Today teaser

No readers, I hadn't abandoned my blog. The blogiversary party kind of distracted me from movie-watching. After all, I only watch movies for the beautiful people in them, and they were right here on OiG’s blogthday party. So there wasn't much point in watching movies for them!

Now its time for a celebration of another sort – a blog-wide Khannathon! Yes, its time for each of us to indulge in some Khanna fandom and talk about our favourite Khannas. Since I don't believe in keeping secrets, I’ll tell you straight out that Vinod Khanna happens to be the most popular of the clan on OiG, but he isnt the only one. His jazz-loving son is gradually rising in the popularity stakes, here, and I wouldnt be surprised if he soon outranked his Papa with one good lead role in a well-made film.

Coming to the agenda for Khanna week, I am afraid that press of work-related deadlines makes it impossible for me to analyse the Khanna kontribution to kcinema, or even review any of the several Khanna-starrers that I’ve seen. So, I’m taking a shortcut and bringing you, instead, select articles from Filmi Times’ enormously popular column - Khanna Today – this week. They’ll bring you up-to-speed with some significant happenings in the world of Khannas, both in the present and in the past.

Here’s the first instalment:

A beauty pageant for OiG’s second birthday!

Yes, Old is Gold is exactly two years old, today. I’ve had so much fun in blogland that in the last two years, time just flew past! While the first year was the Year of Discovery (of all the great film-lovers and writers), the last year has been the Year of Fun! I’ve had a ball, discussing movies with all of you who stop by here, and at all my favorite blogs. The highlight of last year was getting to know all of you and meeting some of my favorite bloggers in person. Bolly-blogging zindaabad!!!

An occasion like this calls for a celebration of some sort. Cakes and champagne are so passé. No, I want a party, a BIG one, with lots of beautiful people. How about a beauty pageant? That would be fun, and there would be a parade of beautiful people. Its come to OiG’s attention that there are shocking gender inequalities in the eye-candy department. An injustice that we female bloggers have been doing our best to redress. But its not enough! For true gender equality, male beauty MUST be celebrated more openly, and men MUST be given more credit for their unsung contribution to eye-candy. A beauty pageant for beautiful actors - that is the obvious place to start. So lets have a beauty pageant that rewards beauty and brawn, instead of beauty and brains.

Since this is Old is Gold, we will naturally look to actors of yore. And since the 70s had the biggest compliment of hunks, thats where we'll focus our attention. The panel of judges for this competition is ALL OF YOU! I’ve listed the candidates in my order of preference, and the poll in the right sidebar allows you to pick your own Mr. Bollywood! So lets see who is walking the ramp tonight:

Strange Bedfellows (1965)

Rock Hudson is usually reason enough for me to watch a movie. And when the film co-stars Gina Lollobrigida, there is no doubt about it – I have to see the film! They were great together in Come September – one of my favorite 60s rom-coms. So when a “new” Gina-Rock film showed up on Amazon, I knew I had to get it. Commenters on imdb warned that Strange Bedfellows was no Come September, so I held off buying it, for a while. And then, last Christmas, I finally gave in to temptation and ordered it.

 

Shabd (2005) – the power of words

Having declared publicly, on the internet, that I NEVER follow new songs into movies, it was perhaps inevitable that I'd break my own rule! The culprit songs in question were the dreamy Khoya khoya sa, and the dance number Sholon si sholon si – songs that I’ve loved ever since I saw them appear on TV promos 4-5 years ago. I am not sure why I suddenly felt the need to watch the film for these songs, but I did, and I certainly dont regret it. Parts of the film left me a bit dissatisfied, but its a very well made film and was an engrossing watch.

The story opens with critical acclaim for Booker Prize Winning author Shaukat Vashisht (Sanjay Dutt). Unfortunately for Shaukat, the acclaim soon turns sour, with reviewers trashing his next book and calling his characters and plots 'unreal'. Instead of using his talents to write for Bollywood, as any sensible writer of 'unreal' stories would, Shaukat goes into hibernation.

BLB and OiG exclusive – Shashi's top secret speech at the Filmfares

As most readers will know, Shashi Kapoor was recently given the Filmfare Lifetime Achievement Award. What you probably didn't know is that he made a lengthy, significant, and history-soaked acceptance speech that was never televised. You may have read that all he said is "Thank you," but that is far from the truth! How the entire film fraternity (well, with a few notable exceptions) managed to keep their mouths shut about this magnificent oration, we'll never know, but now you, dear readers, have a chance to hear his words in this exclusive report!

Thanks to a fantastic friend at Filmfare, Beth Loves Bollywood and I had a rare opportunity to be present for the awards - if you've seen them on tv or online, we're hunkered in the shadows at the far left of the stage. But our friend only had one pass to spare, so, like good long-lost, recently-reunited masala sisters, we promised to share and share alike. I drew the straw to go in second, so I have the second half of his speech here for you, transcribed word for word off the recording I sneaked with my phone.

Check out part-I at Beth Loves Bollywood. Here’s the second part:

Kaarnama (1979) Part IV – MAA and THE END

Before intermission, the vilaayti twin Shyam (Shashi Kapoor) was romancing Dhanno (Tanuja) and the desi twin Gopal (also Shashi Kapoor) had just left a drunk Kamini (Sharmila Tagore), to go to Kashmir to figure out why everybody was mysteriously interested in his maternal relative. I must warn you that this is a very looong post (with spoilers), since I’ve had compress the entire second half of the film in one post. For lack of space, I’ve had to concentrate on the main plot and neglect such delights as Helen trying to seduce Mr. Mehra (Shammi Kapoor), Dwarka (Pran, now Dilawar in Pakistani Intelligence) being smuggled into India, Shalu (Bindu) and her hubby Dheeraj (Ranjeet) sharing a cute romantic interlude in the police station where they’re both police officers, etc.

Kaarnama (1979) part III – the mystery edition

With the vilaayti twin on his way to his watan (country), you’d think that the found part of the lost-n-found formula is almost about to be accomplished. Well, you’d be wrong. Do not underestimate MDbhai’s genius… We leave Shyam on the plane, drinking heavily, with the mysterious lady X (Sharmila Tagore) keeping a sharp lookout a few rows behind.

We fly into India, ahead of the dimpled-duo, to meet the other twin Gopal. As I told you, MD caused him to grow up into a small-time theatre actor. Well, just as we go to find him, he’s landed his first starring role, and rehearsals are in full swing. We come upon him, in his shiny military uniform, playing Napolean Bonaparte, at Waterloo. And we realise why he isnt a big star yet, nor likely to be – he fluffs his lines something terrible.

Napolean (roaring): Wellington kameene, sherni ka doodh pasand karta hai to saamne aa (Wellington rascal, if you like tigress’s milk, come here!)

Wellington, not finding the right cue (which should have been agar maa ka doodh piya hai to… if you’ve drunk your mother’s milk), forgets his lines: Err… I prefer cow’s milk.