The 70s are here!

Thanks to Beth, blogland has parked its time machine in the 1970s, this week. YAY!!!! There is so much fabulousness in the 70s – big bell-bottoms, loud and lavish interiors, carefully crafted villain-lairs, lots and lots of masala-madness, and a ton of non-masala goodness, as well. Needless to say, I am ecstatic to be back in my favorite decade, and shall do my best to keep my one-post-a-day resolve. So stay tuned for some exclusively 70s programming…

And before I sign off for today, Gabbar has a message for all of us:

Sadly, I have no idea what he’s trying to say. Can any of you help?

Naach Uthe Sansaar (1976)

There are films that hook you from the first scene and draw you into make-believe land. There are films that make a deep impact and leave lasting memories. And then there are films like Naach Uthe Sansaar (the world begins dancing), that do none of the above! In keeping with its name, there is much singing and dancing in the film. The hero (Shashi Kapoor – yay!) spends a lot of time tapping a drum, shaking a leg, and lip-syncing to Rafi’s voice. The heroine (Hema Malini) isn't far behind in the dance department but comes up as an also-ran in the singing and angsting stakes. There is a lot of cute romance, too. But still, the film falls far short of being a solid entertainer.

My favorite filmi Mr. Rights!

The Valentine spirit is everywhere. From heart-shaped, diamond-studded pendants on special offer, to heart-shaped candy in heart-shaped boxes, and long-stemmed red roses - its hard to escape the “romantic” season. Naturally, that made me think of my filmi Valentine. An exhaustive search down memory lane turned up rather less material than I had hoped for! Most Bollywood heroes are too busy fighting bad guys and making up to their dost and/or Maa, to do more than sing the requisite “eve-teasing” number and romantic duet with their heroines. Any cherishing of the beloved, done in Hindi films, is usually done by the woman. Fortunately for us women, Hindi Cinema does bring us some men of substance and beauty, who take time off from saving the world (and/or bromancing their buddies) to pay attention to their lady-loves. Needless to say, thats where I looked for my filmi Mr. Right. And here they are – all top ten of them, in no particular order:

Anand Ashram (1977) - a sweet saga...

When in doubt, always pull out a favorite film. Unless you last watched it in your childhood, you know that you’ll enjoy it. And this film definitely fits the bill. It is overflowing with all my favorite actors – Sharmila Tagore, Moushumi Chatterji, Ashok Kumar, Uttam Kumar, Rakesh Roshan, Utpal Dutt, Asit Sen. The story is convoluted enough to keep me interested and told well enough to hold my attention. AND it features one of my favorite songs – Saara pyar tumhara maine baandh liya hai aanchal mein (I have tied up all your love in my aanchal).

Woman Hater (1948) – a hilarious battle of the sexes!

Much as I love classic Hollywood romantic comedies, there is no denying that they are very retrogressive when it comes to gender relations. Every time a Doris Day turns into a puddle for a Rock Hudson or a Cary Grant’s marriage proposal, I sympathise, but can't help the groans, either! Why couldn't the woman win for once, get the upper hand and show up the guy for the idiot that he is – at least in the beginning? WHY? To my comedy-loving, feminist heart, this British film was manna from heaven. Not only does it star my all time favorite British-Hollywood actor – Stewart Granger – it is also the very antithesis of woman hating!

Rocket Singh: Salesman of The Year (2009)

What is it about idealism that is so attractive? While a shirtless Salman leaves me completely unmoved*, a self-less social worker or an idealistic writer makes me melt with the “milk of human kindness”. Put that idealism into an underdog, and you have a sure-fire hit, as far as OiG is concerned! And that is exactly what Shimit Amin-Jaideep Sahani do in Rocket Singh. They create an everyman hero who is helplessly idealistic and a complete babe-in-the-woods for the milieu he chooses. The result is fairly predictable, but so very heart-warming!

Harpreet Singh Bedi (Ranbir Kapoor) or ‘HP’ as his friends call him, is an average Joe. He barely scrapes through his BCom finals (he does seem to be better than Sid, at exams!) and doesnt dare sit for the CAT (entrance exam for MBA in India), because he knows his intellectual limitations. So, he sets his sights on a job in sales because there, “brains are more useful than numbers”.

Inspector (1956) – a thrilling family drama!

It was the lovely song – Dil chhed koi aisa nagma – on youtube, that put me on track of this film. Geeta Bali singing of heartbreak and Ashok Kumar looking guilty as charged of said heartbreak? I HAD to see the film! Fortunately for me, friend Shalini was able to send me this hard-to-find film. Experience has taught me not to have very high expectations when watching a film on the strength of one song and its star cast. So, I began with modest expectations and the first 20 min of the film did not look too promising. But just when I settled in to watch a family drama complete with predictably misplaced children and sad families, the film took a masala-noirish turn and soon developed into one of the most enjoyable films I’ve seen for a while!